The Dream of Oresme
The Dream of Oresme
As the leading natural philosopher of the fourteenth century, Nicole Oresme’s references to music show its continuing importance as part of the quadrivium; his arguments concerning geocentric cosmology considers its musical correlates and consequences. Music also figured importantly in his arguments about whether or not cosmic cycles can actually recur, reflected in the debate he staged between Arithmetic and Geometry. This chapter argues that Oresme finally sided with Geometry and in favor of incommensurability in the cosmic design, reflecting the biblical preference for a “new song” over incessant repetition. Oresme’s friendship with the eminent composer Phillipe de Vitry (a leading exponent of the ars nova) also marked his astronomical views. Oresme argued that issues of incommensurability ruled out cosmic recurrences such as the Platonic Year and also ruled out the simplest versions of the “music of the spheres.”
Throughout the book where various sound examples are referenced, please see
Keywords: Nicole Oresme, Quadrivium, Ars nova, Phillipe de Vitry, Incommensurability, Platonic Year, Music of the spheres
MIT Press Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
