- Title Pages
- Dedication
- Series Foreword
- Acknowledgments
-
1 The Origins of Social Media -
2 The Personal Computer and Social Media -
3 Daily Life in Cyberspace: How the Computerized Counterculture Built a New Kind of Place -
4 Community Memory: The First Public-Access Social Media System -
5 PLATO: The Emergence of Online Community -
6 alt.hypertext: An Early Social Medium -
7 Dictation: A Canadian Perspective on the History of Telematic Art -
8 Art and Minitel in France in the 1980s -
9 Rescension and Precedential Media -
10 Defining the Image as Place: A Conversation with Kit Galloway, Sherrie Rabinowitz, and Gene Youngblood -
11 IN.S.OMNIA, 1983–1993 -
12 Art Com Electronic Network: A Conversation with Fred Truck and Anna Couey -
13 System X: Interview with Founding Sysop Scot McPhee -
14 In Search of Identities in the Digital Humanities: The Early History of Humanist -
15 Echo -
16 MOOs and Participatory Media -
17 Hacking the Voice of the Shuttle: The Growth and Death of a Boundary Object -
18 Community Networking: The Native American Telecommunications Continuum -
19 The Art of Tele-Community Development: The Telluride Infozone -
20 Community Networking, an Evolution -
21 Cultures in Cyberspace: Communications System Design as Social Sculpture -
22 Crossing-Over of Art History and Media History in the Times of the Early Internet—with Special Regard to THE THING NYC -
23 Arts Wire: The Nonprofit Arts Online -
24 Electronic Literature Organization Chats on LinguaMOO -
25 trAce Online Writing Centre, Nottingham Trent University, UK -
26 Pseudo Space: Experiments with Avatarism and Telematic Performance in Social Media - A Conversation and Two Epilogues
-
27 Expanding on “What Is the Social in Social Media?”: A Conversation with Geert Lovink -
28 Epilogue: Slow Machines and Utopian Dreams -
29 From Archaeology to Architecture: Building a Place for Noncommercial Culture Online - About the Authors
- Index
Dictation: A Canadian Perspective on the History of Telematic Art
Dictation: A Canadian Perspective on the History of Telematic Art
- Chapter:
- (p.127) 7 Dictation: A Canadian Perspective on the History of Telematic Art
- Source:
- Social Media Archeology and Poetics
- Author(s):
Hank Bull
- Publisher:
- The MIT Press
Canada, with its vast distances, was an early adopter of communications technologies. Starting in the 1970s, Canadian artists pursued the aesthetic strategies of correspondence art, video, telecommunications, and artist-run centers. Beginning with Bill Bartlett's Brechtian credo that real communication must be interactive, and noting Robert Filliou's influential concept of the “Eternal Network,” Hank Bull tells the story of a small group of artists who tested the potentials and implications of telecommunications art. He discusses radio, slowscan video, electronic mail and fax art, referring to specific projects produced for Ars Electronica (1983), Electra (Paris, 1983) and the Venice Biennale (1986). More recently, Shanghai Fax (1996), staged by Bull, with artists Shen Fan, Ding Yi, and Shi Yong, was one of the first international group exhibitions to take place in China since the revolution. In conclusion Bull emphasizes sympathetic listening in this new territory, where unfamiliar noises clash as new rhythms sound.
Keywords: Telematic Art - History, Telematic Art - Canada, Canadian Artists - Telecommunications, Communications Technologies, Correspondence Art, Bill Bartlett, Robert Filliou, Ars Electronica, Venice Biennale, Shanghai Fax
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- Title Pages
- Dedication
- Series Foreword
- Acknowledgments
-
1 The Origins of Social Media -
2 The Personal Computer and Social Media -
3 Daily Life in Cyberspace: How the Computerized Counterculture Built a New Kind of Place -
4 Community Memory: The First Public-Access Social Media System -
5 PLATO: The Emergence of Online Community -
6 alt.hypertext: An Early Social Medium -
7 Dictation: A Canadian Perspective on the History of Telematic Art -
8 Art and Minitel in France in the 1980s -
9 Rescension and Precedential Media -
10 Defining the Image as Place: A Conversation with Kit Galloway, Sherrie Rabinowitz, and Gene Youngblood -
11 IN.S.OMNIA, 1983–1993 -
12 Art Com Electronic Network: A Conversation with Fred Truck and Anna Couey -
13 System X: Interview with Founding Sysop Scot McPhee -
14 In Search of Identities in the Digital Humanities: The Early History of Humanist -
15 Echo -
16 MOOs and Participatory Media -
17 Hacking the Voice of the Shuttle: The Growth and Death of a Boundary Object -
18 Community Networking: The Native American Telecommunications Continuum -
19 The Art of Tele-Community Development: The Telluride Infozone -
20 Community Networking, an Evolution -
21 Cultures in Cyberspace: Communications System Design as Social Sculpture -
22 Crossing-Over of Art History and Media History in the Times of the Early Internet—with Special Regard to THE THING NYC -
23 Arts Wire: The Nonprofit Arts Online -
24 Electronic Literature Organization Chats on LinguaMOO -
25 trAce Online Writing Centre, Nottingham Trent University, UK -
26 Pseudo Space: Experiments with Avatarism and Telematic Performance in Social Media - A Conversation and Two Epilogues
-
27 Expanding on “What Is the Social in Social Media?”: A Conversation with Geert Lovink -
28 Epilogue: Slow Machines and Utopian Dreams -
29 From Archaeology to Architecture: Building a Place for Noncommercial Culture Online - About the Authors
- Index
