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Social Media Archeology and Poetics$
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Judy Malloy

Print publication date: 2016

Print ISBN-13: 9780262034654

Published to MIT Press Scholarship Online: May 2017

DOI: 10.7551/mitpress/9780262034654.001.0001

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PRINTED FROM MIT PRESS SCHOLARSHIP ONLINE (www.mitpress.universitypressscholarship.com). (c) Copyright The MIT Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MITSO for personal use.date: 17 September 2021

Rescension and Precedential Media

Rescension and Precedential Media

Chapter:
(p.147) 9 Rescension and Precedential Media
Source:
Social Media Archeology and Poetics
Author(s):

Steve Dietz

Publisher:
The MIT Press
DOI:10.7551/mitpress/9780262034654.003.0009

This paper discusses five exhibitions curated by the author of what might be most broadly termed network-based art: Beyond Interface: net art and art on the net (1998), Art Entertainment Network (2000), Telematic Connections: The Virtual Embrace (2001), Open_Source_Art_Hack (2002), and Translocations (2003). While they took place after the invention of the http protocol, they represent an inflection point prior to the commodification of the technology of social media culture and explore formative practices by artists and institutions for current recensions of social media.

Keywords:   Social Media - Creative Practice, Social Media - Artists and Institutions, Exhibitions - Net Art, Exhibitions - Telematic Art, Net Art - Exhibitions, Network - based Art, Telematic Art

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