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Voice LeadingThe Science Behind a Musical Art$
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David. Huron

Print publication date: 2016

Print ISBN-13: 9780262034852

Published to MIT Press Scholarship Online: May 2017

DOI: 10.7551/mitpress/9780262034852.001.0001

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PRINTED FROM MIT PRESS SCHOLARSHIP ONLINE (www.mitpress.universitypressscholarship.com). (c) Copyright The MIT Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MITSO for personal use.date: 06 April 2020

Embellishing Tones

Embellishing Tones

Chapter:
(p.121) 9 Embellishing Tones
Source:
Voice Leading
Author(s):

David Huron

Publisher:
The MIT Press
DOI:10.7551/mitpress/9780262034852.003.0009

Chapter 9 discusses embellishing tones—such as passing tones, suspensions, and appoggiaturas. Embellishments can serve a number of functions, including adding dissonance, creating or heightening expectations, drawing attention to neighboring structural tones, or simply adding interest to a musical texture. However, this chapter focuses on how the presence of embellishing tones can contribute to the perceptual independence of concurrent voices. It is shown that embellishing tones are deployed in ways consistent with five different techniques for enhancing voice independence.

Keywords:   music, voice leading, part writing, embellishing tones, nonchordal tones, passing tone, suspension, neighbor tone, appoggiatura, pedal tone

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