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Authors, Users, and PiratesCopyright Law and Subjectivity$
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James Meese

Print publication date: 2018

Print ISBN-13: 9780262037440

Published to MIT Press Scholarship Online: September 2018

DOI: 10.7551/mitpress/9780262037440.001.0001

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Creative Practice and Relational Authorship

Creative Practice and Relational Authorship

Chapter:
(p.61) 3 Creative Practice and Relational Authorship
Source:
Authors, Users, and Pirates
Author(s):

James Meese

Publisher:
The MIT Press
DOI:10.7551/mitpress/9780262037440.003.0004

This chapter discusses copyright’s inability to accurately identify authorship, use and infringement and explores how different creative industries come to their own understanding about how these practices are governed and managed. Through a study of sampling, music licensing and the production of contemporary art, I detail these governance and management practices and discuss what happens when copyright struggles with relational interactions. I end the chapter by suggesting that understanding authorship as a brand could potentially help to manage these tensions, while also suggesting that policy narratives around copyright law and its relationship with creative industries needs to change in recognition of these difficulties.

Keywords:   Authorship, Sampling, Remix, Artists, Collaboration, Piracy, Use

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